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I was nominated for the John W. Campbell Best New Writer Award!

Grey was shortlisted for the Philip K. Dick Award!

"Armstrong's vision of the future isn't far removed from our obsession with "American Idol," "America's Next Top Model" and the romantic and rehabilitative antics of Britney, Lindsay and Paris. There are touches of early Kurt Vonnegut and Anthony Burgess in this novel, but "Grey" follows its own well-conceived satirical strategy." San Francisco Chronicle

"Equal parts ill-fated love story á la Romeo and Juliet, poignant coming-of-age tale, and disturbingly provocative glimpse into humanity's future, Armstrong's debut is simply unforgettable -- nothing short of a science fiction masterwork. A Clockwork Orange for the 21st century." Barnes and Noble Spotlight Feature

"A Romeo-and-Juliet tale of star-crossed lovers and their conflicted families plays out against a futuristic backdrop shaped by outrageous fashion trends..." Publishers Weekly

"A dazzling trip through a world alternately glamorous and grimy, set in a crumbling but media-saturated future, with eyeball-kicks galore." Locus Magazine

"This book is funny, gross, witty, crass, weird, beautiful, bizarre, and bloody: ergo--cool!" Yet Another Book Review Site

"I couldn't put the book down. This book will hook you early and drag you straight through to the end. Definitely a fun read." Douglas Lain, author of Last Week's Apocalypse

"A Clockwork Orange meets American Psycho meets Tank Girl." Book Stud

"...like a postcyberpunk Bret Easton Ellis." Chris Nakashim-Brown

"Celebrity worship, reality television, high fashion and corporate sociopathy all take a hit. I love a good tear-down of pop culture." BlurredEdge

"If you enjoy or, better yet, prefer a more literary than commercial read and you can appreciate a satirical stab at not only the fashionable elite of entertainment but a subtle yet obvious social comment on the general public and its destructive nature, then give Grey a read; it will not disappoint you." Book Opinions

"This is both an instant classic of post-genre literature, & an outrageous parody of it. It's Shakespeare on acid with tones of Burgess' A Clockwork Orange, spiced with tones of Gibson, Sterling, Neal Stephenson, and a crazed graphic artist who creates all the artwork with words alone, & quite an original work."
Amazon Reviewer

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The podcasts of Grey are licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

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Biography

Jon grew up outside Seattle, State College, PA., and Columbia, Maryland. His parents both have fine art and art education degrees and life was often like an extended art class. At an early age, Jon read and admired Buckminster Fuller and spent countless afternoons listening to his parents Jack Benny albums.

In 1986, after finishing a Liberal Arts degree at the University of Pittsburgh, he moved to New York and worked at a Japanese travel agency for several years and later had a sort stint with Pan Am before the airline went bankrupt. Subsequently, he became a temp and gradually taught himself graphic design. As a graphic designer, he worked for such companies as United Media, Young & Rubicam, Archie Comics, HBO, and many others.

He currently lives in Queens, New York with his wife and child.

Extras

Jon and his dad were The LoungeBots, an electronica band featured in such magazines as Future Music and Mixer.

FAQ

Trade Paperback ISBN : 1-59780-065-1 Pages: 248 Price: $14.95

1. Who published Grey?

The very cool guys at Night Shade Books. They have been extremely supportive and generous with me and my work.

2. Are any of the characters in Grey based on real people?

Not really. However, a clothing storeowner in Japan inspired the tailor. In fact, it was at that time that the concept of "Grey" was born.

I spent my junior year of college in Kobe, Japan studying at Konan Daigaku and living with a home-stay family. As winter came that year, I found that the one medium weight coat I packed was insufficient. I headed to the middle of the city to a mall in Sannomiya. Most of what I found I didn't like, and the rest didn't fit. Then around a corner, I came to a men's store that featured nothing but black, white, and grey clothes. The minimalism appealed, especially the idea that if my wardrobe were monochromatic no matter what I put on would match.

The storeowner was patient with my halting Japanese and I found a long black coat that I loved. Over the year, I bought a number of new things and became interested in clothes. The storeowner was named Sugimoto, which translates as "origin or roots of the cedar."

3. How long did it take you to write Grey?

2. A long time. Grey began as a short story in a writing workshop with Chuck Kinder at the University of Pittsburgh. Once I returned from Japan (see above) and finished college, I completed the first draft of the novel.

Much of the book's structure remains the same, but what changed over the intervening twenty-five years (!) and many rewrites were my writing skills. As I have heard some other authors say, it takes a half dozen aborted novels to get it right.

4. What are your favorite books?

My favorites include: Vladimir Nabokov's Despair, Kobo Abe's the Box Man, Witold Gombrowicz's Kosmos, Annie Dillard's An American Childhood, William Gibson's Neuromancer, Neal Stephenson's Snow Crash, Jonathan Lethem's Gun with Occasional Music, and J. G. Ballard's Crash are a few that come to mind.